|
Título
|
Director
|
Año
|
| THE MUSEUM HERO |
Alfonso Sánchez Jr. |
1968 |
| ¡Arriba España! |
José María Berzosa, Ramón Chao y André Camp |
1976 |
| 18 MP |
Amir Muhammad |
2006 |
| 48 |
Susana de Sousa Dias |
2009 |
| 6horts |
Amir Muhammad |
2002 |
| 778 – LA CHANSON DE ROLAND |
Olivier van der Zee |
2009 |
| A MEMORY OF JOHN EARL |
John Earl McFadden |
1968 |
| A Spell to Ward Off the Darkness (Work in Progress) |
Ben Rivers, Ben Russell |
2013 |
| A Very Crafty and Tricky Contrivance |
Greta Alfaro |
2012 |
| ADYNATA |
Leslie Thornton |
1983 |
| AGARRANDO PUEBLO |
Luis Ospina, Carlos Mayolo |
1977 |
| Age Is... |
Stephen Dwoskin |
2012 |
| Alam Laysa Lana / A World not Ours |
Mahdi Fleifel |
2012 |
| ALDA |
Viera Čákanyová |
2009 |
| ALL WATER HAS A PERFECT MEMORY |
Natalia Almada |
2001 |
| All'ombra della croce / Under the Shadow of the Cross / A la Sombra de la Cruz |
Alessandro Pugno |
2012 |
| AMERICA´S BEST |
Michael Jacobsohn |
1971 |
| ANTONIA LLOBET SANS |
Lorenç Llobet Gràcia |
1950 |
| Apuda de Shouhou / Apuda |
He Yuan |
2010 |
| As Canções |
Eduardo Coutinho |
2011 |
| BABAKIUERIA |
Don Featherstone |
1986 |
| BLACK AND WHITE |
Kirsty MacDonald |
2006 |
| Boca de Lixo |
Eduardo Coutinho |
1992 |
| Branka |
Mikel Zatarain |
2013 |
| BUBBY |
Murray Kramer |
1968 |
| Buenos días resistencia |
Adrian Orr |
2013 |
| Buffalo Common |
Bill Brown |
2003 |
| Cabra Marcado para Morrer |
Eduardo Coutinho |
1984 |
| CAKE AND STEAK |
Abigail Child |
2002 |
| CANEDO |
WeareQQ: Usue Arrieta, Vicente Vázquez |
2010 |
| CANNIBAL TOURS |
Dennis O''Rourke |
1988 |
| Chicago Corner |
Bill Brown |
2009 |
| CHILDREN’S MAGICAL DEATH |
Timothy Asch, Napoleon Chagnon |
1974 |
| CLAY |
Naomi Uman |
2008 |
| CODA |
Naomi Uman |
2008 |
| COLOR PERRO QUE HUYE |
Andrés Duque |
2011 |
| Confederation Park |
Bill Brown |
1999 |
| CORRESPONDENCIA: JONAS MEKAS - J.L. GUERIN (work in progress) |
José Luis Guerin, Jonas Mekas |
2011 |
| Cosses Rares que Passaven Abans |
Frnacina Verdés |
2012 |
| CROSSWALK |
Jeanne Liotta |
2010 |
| Cuarto Oscuro Europeo / European Dark Room |
Greta Alfaro |
2010 |
| Dad's Stick |
John Smith |
2012 |
| DANIEL CUBERTA: PROYECTOS |
Daniel Cuberta |
2010 |
| DAUGHTER RITE |
Michelle Citron |
1979 |
| Der Ausländer / The Foreigner |
Thomas Heise |
2004 |
| Diarios |
Daniel Castro |
2009 |
| Die Lage / Condition |
Thomas Heise |
2012 |
| Dime Quién era Sanchicorrota |
Jorge Tur |
2013 |
| Document |
Bill Brown |
2011 |
| Druidas y Chamanes |
Patxi Uriz y Axel O´Mill |
2012 |
| Eisenzeit / Ironage |
Thomas Heise |
1991 |
| EL ANDAMIO |
Rogelio Amigo |
1958 |
| EL DOCTOR (Work in progress) |
Jesús López-Sanz |
2011 |
| El Jurado / The Jury |
Virginia García del Pino |
2012 |
| EL MANÁ |
Juan Carrascal-Ynigo |
2010 |
| El Modelo / The Model |
Germán Scelso |
2012 |
| EL NOSTRE PA DE CADA DIA |
Joan Blanquer i Panadès, Ramón Bardés i Abellà |
1950 |
| Emak Bakia Baita / La Casa Emak Bakia |
Oskar Alegria |
2012 |
| Equis Films. Breve historia de un mecenazgo |
Jose Luis Pimoulier Laspeñas |
2013 |
| ERIE |
Kevin Jerome Everson |
2010 |
| Espagnes I: Comment se debarraser des restes du Cid |
|
1973 |
| EXÓTICO (work in progress) |
Elia Urquiza |
2010 |
| Family nightmare |
Dustin Guy Defa |
2012 |
| Far from Afghanistan |
John Gianvito, Jon Jost, Minda Martin, Travis Wilkerson, Soon-Mi Yoo |
2011 |
| FEM |
Campbell X |
2007 |
| FESTA MAJOR |
Lorenç Llobet Gràcia |
1933 |
| FILM CLUB |
Jaime Barrios |
1968 |
| FIRST CONTACT |
Robin Anderson, Bob Connolly |
1982 |
| First Cousin Once Removed |
Alan Berliner |
2012 |
| FOOTNOTES TO A HOUSE OF LOVE |
Laida Lertxundi |
2007 |
| FOREIGN PARTS |
Véréna Paravel, J.P. Sniadecki |
2010 |
| Gegenwart / Consequence |
Thomas Heise |
2012 |
| GET OUT OF THE CAR |
Thom Andersen |
2010 |
| GIRL POWER |
Sadie Benning |
1992 |
| Goitik behera, Behetik Gora |
Usue Arrieta, Vicente Vázquez |
2011 |
| GRANADA, 30 AÑOS DESPUÉS |
Cecilia Barriga |
2010 |
| GRAVITY WAS EVERYWHERE BACK THEN |
Brent Green |
2010 |
| GUANABACOA: CRÓNICA DE MI FAMILIA |
Sara Gómez |
1966 |
| Gui aiueo: S |
Go Shibata |
2010 |
| Handful of Dust |
Hope Tucker |
2012 |
| HELL ROARING CREEK |
Lucien Castaing-Taylor |
2010 |
| HISTORIA CONTADA POR JEAN DOUGNAC |
Noëlle Pujol |
2010 |
| HISTORY AND MEMORY: FOR AKIKO AND TAKASHIGE |
Rea Tajiri |
1991 |
| Hoof, Tooth & Claw |
Adam Gutch, Chu-Li Shewring |
2011 |
| HOW TO ESCAPE FROM STRESS BOXES |
Paper Rad |
2006 |
| Hub City |
Bill Brown |
1997 |
| I AM AN OX, I AM A HORSE, I AM A MAN, I AM A WOMAN |
Sally Potter |
1990 |
| I touched her legs |
Eva Marie Rodbro |
2010 |
| ICI-BAS |
Comes Chahbazian |
2010 |
| Il Piacere / The Pleasure |
Alessio Di Zio |
2011 |
| Ils Nous Tueront Tous... |
Sylvain George |
2009 |
| Im Glück (Neger) / Lucky (Niggers) |
Thomas Heise |
2006 |
| Imágenes secretas |
Diana Toucedo |
2012 |
| In Ictu Oculi |
Greta Alfaro |
2009 |
| IN MEMORIAM DE LA ABUELITA MERCEDES MARCET POAL |
Pere Font |
1950 |
| Inori |
Pedro González Rubio |
2012 |
| INTO THE MIDDLE OF NOWHERE |
Anna Ewert |
2010 |
| Invisible |
Víctor Iriarte |
2012 |
| INVOCATION OF MY DEMON BROTHER |
Kenneth Anger |
1969 |
| KALENDAR |
Naomi Uman |
2008 |
| Kinder. Wie die zeit vergeht / Children. As time flies |
Thomas Heise |
2007 |
| L’impossible - Pages Arrachées (Songs from the protests) |
Sylvain George |
2009 |
| La casa Emak Bakia (fragmentos) |
Oskar Alegría |
2012 |
| LANBROA |
Mikel Zatarain |
2010 |
| LE SPECTRE ROUGE |
Segundo de Chomón, Ferdinand Zecca |
1907 |
| Les éclats (ma gueule, ma révolte, mon nom) |
Sylvain George |
2011 |
| LES STATUES MEURENT AUSSI |
Chris Marker, Alain Resnais |
1953 |
| LOVE AND WORDS ARE POLITICS |
Sylvie Ballyot |
2007 |
| MAKE IT NEW JOHN |
Duncan Campbell |
2009 |
| Malaysian Gods |
Amir Muhammad |
2009 |
| MARSA ABU GALAWA |
Gerard Holthuis |
2004 |
| ME BRONI BA / MY WHITE BABY |
Akosua Adoma Owusu |
2008 |
| Mein Bruder. We’ll meet again / My Brother. We’ll meet again |
Thomas Heise |
2005 |
| MEMMORTIGO? |
Delmiro de Caralt |
1934 |
| Memorial Land |
Bill Brown |
2012 |
| Mi camisa huele brillante |
Jorge Tur Moltó |
2008 |
| Mitote |
Eugenio Polgovsky |
2012 |
| Mocracy - Neverland in Me |
Christian von Borries |
2012 |
| Montaña en Sombra / Ecos del Bosque / Na Vibración |
Lois Patiño |
2012 |
| Moscou |
Eduardo Coutinho |
2009 |
| Mountain State |
Bill Brown |
2003 |
| Museum Hours |
Jem Cohen |
2012 |
| MY NAME IS OONA |
Gunvor Nelson |
1996 |
| NÉNETTE |
Nicolas Philibert |
2010 |
| N'Entre Pas Sans Violence Dans La Nuit |
Sylvain George |
2008 |
| Neustadt (Stau - Der Stand der Dinge) / Newtown (The State of Things) |
Thomas Heise |
2000 |
| NEXT (work in progress) |
Elia Urquiza |
2010 |
| Night hunter |
Stacey Steers |
2011 |
| No Border (Aspettavo Che Scendesse La Sera) |
Sylvain George |
2008 |
| NO CRECEN |
José Luis Roig, Ezequiel Degastaldi |
2009 |
| NOSTALGIA DE LA LUZ |
Patricio Guzmán |
2010 |
| NOTAS DE LO EFÍMERO |
Chus Domínguez |
2010 |
| NOTES ON THE OTHER |
Sergio Oksman |
2009 |
| OMBRES |
Domènec Jiménez |
1935 |
| ON RUBIKS´ROAD |
Laila Pakalnina |
2010 |
| ON THIS DAY |
Naomi Uman |
2008 |
| P.S. Beirut |
Michael H. Shamberg |
2008 |
| People's Park |
Libbie D. Cohn, J. P. Sniadecki |
2012 |
| PIEDRA |
Delmiro de Caralt |
1939 |
| PIEZA Nº4: ENTRE EL DICTADOR Y YO – DE DICTADORES, ABUELAS Y VERANOS EN SANTANDER |
Elia Urquiza |
2005 |
| PODWÓRKA |
Sharon Lockhart |
2009 |
| PREGÀRIA A LA VERGE DELS COLLS |
Lorenç Llobet Gràcia |
1947 |
| PRINCE HOTEL |
Karl Kels |
2003 |
| Public Hearing |
James N. Kienitz Wilkins |
2012 |
| PURA VIDA |
Pablo Iraburu, Migueltxo Molina |
2011 |
| Qu’ils réposent en révolte (Des Figures de Guerres I) |
Sylvain George |
2010 |
| Reconversão |
Thom Andersen |
2012 |
| RÉPONSE DE FEMMES (NOTRE CORPS, NOTRE SEXE) |
Agnès Varda |
1975 |
| RITMES D’UN DIA |
Doménec Jiménez |
1933 |
| Roberto Pellegrinaggio |
Alessio Di Zio |
2011 |
| ROBINSON IN RUINS |
Patrick Keiller |
2010 |
| ROMPIENDO EL SILENCIO |
Rosa Martha Fernández |
1979 |
| Roswell |
Bill Brown |
1994 |
| Rouge Greco Rouge |
J.M. Berzosa |
1972 |
| Santa Marta - Duas Semanas no Morro |
Eduardo Coutinho |
1987 |
| Ser de Luz |
Diana Toucedo |
2010 |
| SERRAS DA DESORDEM |
Andrea Tonacci |
2005 |
| Si yo fuera tú, me gustarían los Cicatriz |
Jorge Tur Moltó |
2010 |
| Sniegs / Snow Crazy |
Laila Pakalnina |
2012 |
| Swinging Horses |
Alessio Di Zio |
2011 |
| SYMBIOPSYCHOTAXIPLASM: TOMA UNO |
William Greaves |
1968 |
| TALKING HEADS (MUSLIM WOMEN) |
Fathima Nizaruddin |
2010 |
| Tapetum Lucidum |
Pablo Chavarría Gutiérrez |
2012 |
| The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images |
Eric Baudelaire |
2011 |
| THE ARBOR |
Clio Barnard |
2010 |
| THE BALLAD OF GENESIS AND LADY JAYE |
Marie Losier |
2010 |
| The Big Durian |
Amir Muhammad |
2003 |
| The Dubai In Me |
Christian Von Borries |
2010 |
| THE END |
Alfonso Sánchez Jr. |
1968 |
| The Florestine Collection |
Paul Gailiunas, Helen Hill |
2010 |
| THE GLUE SNIFFER |
Willie Torres |
1968 |
| THE HEROINE OF POST-SOCIALIST LABOUR |
Mare Trallas |
2004 |
| THE INDIAN BOUNDARY LINE |
Thomas Comerford |
2010 |
| The Island of St. Matthews |
Kevin J. Everson |
2013 |
| THE LAST BUFFALO HUNT |
Lee Anne Schmitt, Lee Lynch |
2010 |
| The Last Communist |
Amir Muhammad |
2006 |
| The Other Side |
Bill Brown |
2006 |
| THE POTHEADS IN LET´S GET NICE |
Alfonso Sánchez Jr. |
1968 |
| The Yellow Bank |
J. P. Sniadecki |
2010 |
| THIS QUALITY |
Rosalind Nashashibi |
2010 |
| TIGRERO |
Mika Kaurismäki |
1994 |
| Toma Dos / Take Two |
Pilar Álvarez |
2012 |
| TRANSLATING EDWIN HONIG: A POET´S ALZHEIMER |
Alan Berliner |
2010 |
| Tributes - Pulse |
Bill Morrison |
2011 |
| TRICK OR DRINK |
Vanalyne Green |
1985 |
| TRISTE TRÓPICO |
Arthur Omar |
1974 |
| TRUE LOVE |
Ion de Sosa |
2010 |
| TRYPPS #7 (BADLANDS) |
Ben Russell |
2010 |
| TÜLAY GERMAN. YEARS OF FIRE AND CINDERS |
Didem Pekün, Barış Doğrusöz |
2010 |
| Txerri-jana |
Oskar Alegría |
2011 |
| Un día más con Vida |
Raul de la Fuente, Damián Nenow |
2013 |
| Un mito antropológico televisivo / An Anthropological Television Myth |
Maria Helene Bertino, Dario Castelli, Alessandro Gagliardo |
2011 |
| UNA AVENTURA VULGAR |
Antonio Crespo |
1953 |
| UNAKULUK, DEAR LITTLE ONE |
Marie-Hélène Cousineau |
2005 |
| UNNAMED FILM |
Naomi Uman |
2008 |
| Uzbek Cotton |
Lluis Escartín |
2013 |
| Valparaíso 2011. Observaciones de un turista |
Rubén García López |
2012 |
| VAPOR TRAIL (CLARK) |
John Gianvito |
2010 |
| Vaterland / Fatherland |
Thomas Heise |
2002 |
| Vers Madrid (The Burning Bright)! |
Sylvain George |
2012 |
| VIDEODIARY 2-1-2006 TO PRESENT (work in progress) |
Naomi Uman |
2011 |
| VOGLIAMO ANCHE LE ROSE |
Alina Marazzi |
2007 |
| Volkspolizei - 1985 / Police Department - 1985 |
Thomas Heise |
1985 |
| VRINDAVANA |
Ernesto Baca |
2010 |
| WINDOW |
Naomi Uman |
2008 |
| Wozu denn über diese leute einen film? / Why Make a Film about these People? |
Thomas Heise |
1980 |
| WRITING DESIRE |
Ursula Biemann |
2000 |
| YOUNG BRAVES |
Michael Jacobsohn |
1968 |
| Yumen |
J.P. Sniadecki, Xu Ruotao, Huang Xiang |
2013 |